[EKStationers] Fwd: [hist-book] Material Texts: Ian Gadd, February 26

lindafowens at netzero.net lindafowens at netzero.net
Tue Feb 20 14:35:34 CST 2018


Sorry, but thanks for the invite, LInda Owens aka Luisa von Farnemwald.  

---------- Original Message ----------
From: Wendy Gale <woodwindy at gmail.com>
To: ekstationers at lists.gallowglass.org
Subject: [EKStationers] Fwd: [hist-book] Material Texts: Ian Gadd, February 26
Date: Tue, 20 Feb 2018 13:54:34 -0500


I thought this might be of interest, for folks who can make it to Philly this coming Monday afternoon. Â  Â  Â  Â  -Sabine
---------- Forwarded message ----------
From: Alexander Ponsen <ponsen at sas.upenn.edu>
Date: Tue, Feb 20, 2018 at 10:11 AM
Subject: [hist-book] Material Texts: Ian Gadd, February 26
To: english-hist-book at groups.english.upenn.edu


Dear friends and colleagues,

 Please join us Monday, February 26, for this semesterâ&euro;&trade;s next meeting of the Workshop in the History of Material Texts. We will convene at our usual time and place: 5:15pm in the Class of 1978 Pavilion in the Kislak Center on the 6th Floor of Van Pelt-Dietrich Library.
 
 We will be welcoming Ian Gadd for a talk entitled: â&euro;&oelig;â&euro;&tilde;Entered for his copyâ&euro;&trade;: creating Stationersâ&euro;&trade; Register Online.â&euro;Ianwrites:
 
 The Stationersâ&euro;&trade; Register is one of the most consulted archival documents of the early modern period. It is also, frankly, one of the least understood. First established in 1557 by the London Stationersâ&euro;&trade; Company to record the publishing rights of its members and cited in Britainâ&euro;&trade;s first copyright statute in 1710, it survives in an almost unbroken sequence from 1557 until 1924. It played a crucial role in the development of Anglo-American copyright.
 
This presentation will provide an account of the development of the Stationersâ&euro;&trade; Register during the early modern period, describing its purpose, its procedures, and its many idiosyncrasies. It will also explain how a new digital project, â&euro;&tilde;Stationersâ&euro;&trade; Register Onlineâ&euro;&trade;, aims to transform our understanding of how early modern â&euro;&tilde;copyrightâ&euro;&trade; worked by creating the first publicly available database of the copy-entries recorded in the Stationersâ&euro;&trade; Register. 
  
Ian Gadd is a Professor of English Literature at Bath Spa University, and the Academic Director of the Global Academy of Liberal Arts (GALA), an international network of universities founded by Bath Spa in 2014. He is a General Editor of the Cambridge Edition of the Works of Jonathan Swift, and was a volume editor for The History of Oxford University Press (2013-17). He is a past president of the Society for the History of Authorship, Reading and Publishing (SHARP). He wrote his Oxford D.Phil. on the Stationersâ&euro;&trade; Company, has taught courses on the Stationersâ&euro;&trade; Company at Rare Book School, and is currently editing Liber A, the only major early modern record in the Companyâ&euro;&trade;s archive that has not yet been published. 

 â&euro;&rdquo; 
 
 Please forward this email widely to any who might be interested, and please join us on following Mondays throughout the semester. All are welcome! Those who do not hold University of Pennsylvania ID cards should bring another form of photo identification in order to enter the library building.
 
â&euro;&rdquo;
 
 SPRING 2018 SCHEDULE
    
Feb 26: Ian Gadd (Bath Spa University), â&euro;&oelig;â&euro;&tilde;Entered for his copyâ&euro;&trade;: Creating Stationersâ&euro;&trade; Register Onlineâ&euro;
 
Mar 5: SPRING BREAK
 
Mar 12: Peter Stallybrass (Penn), â&euro;&oelig;Whitman: Manuscript in Printâ&euro;
 
Mar 19: Sonia Hazard (Franklin & Marshall), â&euro;&oelig;Americaâ&euro;&trade;s Cargo Cult: How Joseph Smith Discovered Printing Plates and Founded Mormonismâ&euro;
 
Mar 26: Eyal Poleg (Queen Mary, University of London), â&euro;&oelig;The Limits of Book Technologies: The Messy Implementation of Novel Features in English Bibles, 1200-1600â&euro;
 
Apr 2: André Dombrowski (Penn), â&euro;&oelig;How Multimedial was the 19th Century? The Case of Photo-Sculptureâ&euro;
 
Apr 9: Lodovica Braida (Lâ&euro;&trade;Università  degli Studi di Milano), â&euro;&oelig;â&euro;&tilde;Dangerous Booksâ&euro;&trade;. Italian Epistolary Collections in the Sixteenth Century: Censorship and Self-Censorshipâ&euro;
 
Apr 16: Roger Chartier (Penn), â&euro;&oelig;Who Is the Author? Translating Shakespeare in Eighteenth-Century France and Spain: From Voltaire to MoratÃ&shy;nâ&euro;
 
Apr 23: Michael Suarez (Virginia), â&euro;&oelig;â&euro;&tilde;A kind of printing:â&euro;&trade; The Material Texts of Médailles sur les principaux événements du règne de Louis le Grand (1702, 1723)â&euro;
 
â&euro;&rdquo;
 
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